

I couldn't help compare the outpouring of focused and committed demands from the Iranian people to an event I went to in Seattle on Saturday night, in which exactly the same age group were freely expressing themselves, dancing, singing, painting, performing in a whirlwind of creative expression. But most of it didn't have much substance or any point really, which was too bad.The only point was that they were being encouraged and supported in being randomly outside the box, as in a chorus of young women dressed as angels, men in lab coats climbing up the theater to the tune of trumpets ( I liked this piece), and a young man painting perfectly terrible paintings. I went because my amazing yoga teacher was performing, and he didn't disappoint. He is a butoh dancer, and his range of expression with his body was astonishing. One felt the absolute disruption of facade and the revelation of the violence underneath in every human being simply through the expressions, body movements and gestures.
This is the freedom that the Iranian people are fighting for. The contrast couldn't be greater, between the young people of Iran, focused, brave, insistent on their right to be free, and the freedoms taken for granted here by ( at the Moore) predominantly young white people.
These two posters by Lida Red bring together art and the uprising in Iran.
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