Showing posts with label Iran. Show all posts
Showing posts with label Iran. Show all posts

Tuesday, November 2, 2010

Azar Nafisi in Des Moines Iowa

When I went to visit my grandchildren in Des Moines Iowa, I was excited to discover that Azar Nafisi was speaking, sponsored by Drake University. She has a new book called Things I Have Been Silent About. Azar Nafisi
And of course she is best known for Reading Lolita in Tehran, perhaps one of the best titles for a book in the last ten years. But the subject of her lecture was culture and human rights, and the idea that books can speak across cultures in what she called the "Republic of the Imagination" She spoke of the power of literature to liberate and make connections betwen people. Perfect strangers can share their experiences of a book.
She also spoke about the  imagination in contrast to the idea of smugness and complacency. Villains in books are those who are blind to others. The first target of totalitarian regimes is the imagination.

Curiosity is "insubordination in its purest form" The desire to know, to question yourself, to see ourselves as question marks. Alice running into the rabbit hole is an example of curiosity. At the heart of curiosity is learning about the "other" not thinking that we already know other people.

Of course, as an Iranian, she is well aware of how ignorant people in the U.S. are about Iran and Islam in general. She spoke of how the women of Iran have refused for 30 years to comply with the restrictions of the revolution there.
Freedom means choice, responsibilty, passion, risk,
"How much are we willing to give up in order to regain passion?" She sees a crisis of vision, to be self righteous is a sign of weakness.
It was a really inspiring presentation.

Can visual art play this same role in communication across cultures? I believe so, in spite of being so embedded in capitalism. In fact, it is a perfect example of imagination as subversive to the system. A New York Times article about artists being sent abroad by the State Department in a new grant program being administered by the Bronx Museum of Art quoted Michael Krenn, author of Fall Out Shelters for the Human Spirit: American Art and the Cold War,  as saying  that "artists are not easily controlled" !!

Monday, June 22, 2009

Iran


How can we think of anything else right now. The courageous uprising of the people of Iran, across class, religious, and both urban and rural ( although most demonstrations are in Tehran). The youth of Iran led protests in 2003, but now everyone has joined in. Their dignity, commitment, and bravery is formidable. As the traditional press are expelled, BBC commentator John Leynes was told to leave yesterday, we must all communicate about the new revolution in Iran. For that is what it is. The people are tired of the fraudulent politics, hypocritical religious posturing, and totalitarian oppressions. More links soon.

I couldn't help compare the outpouring of focused and committed demands from the Iranian people to an event I went to in Seattle on Saturday night, in which exactly the same age group were freely expressing themselves, dancing, singing, painting, performing in a whirlwind of creative expression. But most of it didn't have much substance or any point really, which was too bad.The only point was that they were being encouraged and supported in being randomly outside the box, as in a chorus of young women dressed as angels, men in lab coats climbing up the theater to the tune of trumpets ( I liked this piece), and a young man painting perfectly terrible paintings. I went because my amazing yoga teacher was performing, and he didn't disappoint. He is a butoh dancer, and his range of expression with his body was astonishing. One felt the absolute disruption of facade and the revelation of the violence underneath in every human being simply through the expressions, body movements and gestures.

This is the freedom that the Iranian people are fighting for. The contrast couldn't be greater, between the young people of Iran, focused, brave, insistent on their right to be free, and the freedoms taken for granted here by ( at the Moore) predominantly young white people.
These two posters by Lida Red bring together art and the uprising in Iran.